Hier, 02:47 AM
Voila la conclusion de Fidelity magazine.com :
"The Wilson Audio itself reaches down to around 33 Hertz, so it doesn’t really need a woofer. We therefore adjusted the level of the IGx to a moderate 0 dB and let it play along at what felt like idle. This actually resulted in a subtle gain in liveliness, stage size and plasticity, which we clearly felt after just a few words of Suzanne Vega’s “Tom’s Diner”. If you switch off the woofer after a few minutes and restart the track, the previously subtle gain suddenly turns into a huge loss. Although the Sasha produces and reproduces music excellently on its own, it seemed unusually dull and two-dimensional after getting used to the IGx. The woofer presented itself in a similar and yet completely different way in combination with PS Audio’s “small” floorstanding speaker. The FR10 is built on the rather slim side. Nevertheless, we did not use the IGx to make it sound more “voluminous” after a few attempts. A crossover frequency of 58 Hertz at a slightly raised +10 dB proved to be optimal. This only added an imperceptible amount of low bass to the speaker. With a comparable effect: the reproduction became more palpable, more vivid and suddenly took on more comprehensible dimensions in the listening room without the character of the loudspeaker changing noticeably. The bass performance of the IGx is therefore exactly what the name of the wonderfully uncomplicated woofer promises: infrasonic, i.e. barely audible. However, the effect of the luxury basement ghost on the homogeneity and plasticity of voices, instruments or imaging is out of this world."
Etonnant tout de même que ce générateur infrasonique.
"The Wilson Audio itself reaches down to around 33 Hertz, so it doesn’t really need a woofer. We therefore adjusted the level of the IGx to a moderate 0 dB and let it play along at what felt like idle. This actually resulted in a subtle gain in liveliness, stage size and plasticity, which we clearly felt after just a few words of Suzanne Vega’s “Tom’s Diner”. If you switch off the woofer after a few minutes and restart the track, the previously subtle gain suddenly turns into a huge loss. Although the Sasha produces and reproduces music excellently on its own, it seemed unusually dull and two-dimensional after getting used to the IGx. The woofer presented itself in a similar and yet completely different way in combination with PS Audio’s “small” floorstanding speaker. The FR10 is built on the rather slim side. Nevertheless, we did not use the IGx to make it sound more “voluminous” after a few attempts. A crossover frequency of 58 Hertz at a slightly raised +10 dB proved to be optimal. This only added an imperceptible amount of low bass to the speaker. With a comparable effect: the reproduction became more palpable, more vivid and suddenly took on more comprehensible dimensions in the listening room without the character of the loudspeaker changing noticeably. The bass performance of the IGx is therefore exactly what the name of the wonderfully uncomplicated woofer promises: infrasonic, i.e. barely audible. However, the effect of the luxury basement ghost on the homogeneity and plasticity of voices, instruments or imaging is out of this world."
Etonnant tout de même que ce générateur infrasonique.
Thorens TD 521,SME 3012, Denon DL103 R,pré pho Audiomat 1.7 Aqvox SE, AQVOX LAN EDGE Cat. 7 DAC Audiomat Maestro 3 ref réseau JRiver mac Mini WD Préamp:Orange Audio.
Ampli:Audiomat CD2.Enceintes:EBM L 5 EX mod:Inakustik 24/04 air, autres cables enceintes EBM.
Ampli:Audiomat CD2.Enceintes:EBM L 5 EX mod:Inakustik 24/04 air, autres cables enceintes EBM.