03-03-2023, 06:54 PM
(Modification du message : 03-03-2023, 10:12 PM par Steph44200.)
Tu les as en SACD? Excellentes en effet, je les possède en PCM. J'ai été voir chez eux et ils semblent n'avoir que le format CD, je n'ai pas su trouver en SACD, tu aurais un lien?
D'autre part quand on lit ci-dessous...........on se dit, pourquoi faire des SACD dans ce cas?
Although SACDs contain DSD format audio, BIS does not use DSD for the actual recording process. We have done initial DSD recordings, followed by listening comparisons, but found high-resolution PCM perfectly capable of delivering "super audio". The recording format of each BIS release is stated in the corresponding booklet - our current standard being 96 kHz and 24 bits -, and shown as "Original sample rate" on our partner site eClassical.com. We usually work in the recording sample rate until the master stage and convert the final PCM high-resolution masters to DSD for SACD production. eClassical's 24-bit "studio quality" option thus gives access to the source audio for the respective BIS SACD layer - in both stereo and surround sound.
D'autre part quand on lit ci-dessous...........on se dit, pourquoi faire des SACD dans ce cas?
Although SACDs contain DSD format audio, BIS does not use DSD for the actual recording process. We have done initial DSD recordings, followed by listening comparisons, but found high-resolution PCM perfectly capable of delivering "super audio". The recording format of each BIS release is stated in the corresponding booklet - our current standard being 96 kHz and 24 bits -, and shown as "Original sample rate" on our partner site eClassical.com. We usually work in the recording sample rate until the master stage and convert the final PCM high-resolution masters to DSD for SACD production. eClassical's 24-bit "studio quality" option thus gives access to the source audio for the respective BIS SACD layer - in both stereo and surround sound.
Enceintes:Onken-Altec 416/Iwata-JBL2445Be/ T925; Tannoy K3838; ATC scm11;Triangle Comète; JM Lab Cobalt 816S
Amplis:Accuphase P102;Forté 4A;1A;Arpège Ref10,Atoll AM80,Hiraga 8W;FX802;MCR 510
Pré: PerreauxEP;Tact RCS 2.2X; Mytek Brooklyn DAC; Preamp passif CI Audio
CD:Nuprime CD8T, BD:Oppo93 , ReavonUBR-X110 - Squeezebox Touch, SB III (x 3)
Vinyle:Thorens TD160 bras Lurné ;TD 165;V15 V15V, AT 440Mlb, DL103,pré pré Hiraga pré ADL GT40
Magnétos:K7 nakamich BX2,TEAC W-1200, Bandes TEAC 3340, 2300;Sony TC377;minidisc Sony MDS JE500
Amplis:Accuphase P102;Forté 4A;1A;Arpège Ref10,Atoll AM80,Hiraga 8W;FX802;MCR 510
Pré: PerreauxEP;Tact RCS 2.2X; Mytek Brooklyn DAC; Preamp passif CI Audio
CD:Nuprime CD8T, BD:Oppo93 , ReavonUBR-X110 - Squeezebox Touch, SB III (x 3)
Vinyle:Thorens TD160 bras Lurné ;TD 165;V15 V15V, AT 440Mlb, DL103,pré pré Hiraga pré ADL GT40
Magnétos:K7 nakamich BX2,TEAC W-1200, Bandes TEAC 3340, 2300;